iamjapanese:

Sky Pape(Canadian, based in NY, b.1963)

 from the series Ligurian Suite  water and Sumi ink on handmade hanji paper  via

thedosian-cabbage:

I’d love to see the “you and I, we aren’t so different” villainous trope used by the hero.

Many times villains are characters who are driven to doing bad things because they felt they had no other choices or this was all they could do to stay alive. They shun the law because it was never written to protect them. They are embittered because they feel, and because they are, alone. Cast aside, left behind, threatened, spat upon.

“You and I, we aren’t so different,” doesn’t have to be a reminder that something in the hero is foul. It can just as easily be used to remind the villain that they aren’t all society say is bad or wrong. “You and I, we aren’t so different,” can be an offered hand.

“You and I, we aren’t so different.”

It absolutely can be the most pretentious, insulting thing…but it can also be a hope. Compassion goes a very, very long way, even if you don’t see the road ahead immediately.

There’s a child….

imbreaking-sans:

                                   ….He smiles warmly up at you.


   The world was new. He just was. He took it all in. Everything so bright and clear. Exciting! Overwhelming. There were sights and smells he had no names for. They, too, just were. The floor was cold, but he didn’t know it. Hard, too. Uncomfortable, but he didn’t know the meaning of the word. It contrasted with the warm fuzziness inside his chest, it was just exciting. Things towered above him, but he wasn’t afraid.

   His eyes shifted to the side, and he saw something new. Yet somehow… familiar. He crawled over, on all fours, to a fallen figure on the ground near him. Glass littered the floor, with some sort of substance forming puddles, but he was unbothered by either. He had eyes only for this figure, who was different from everything else. They were moving- sort of- their chest rising and falling. He watched, enthralled, and, by instinct alone, moved a limb forward to rest over the area.

   He could see that he almost looked like this figure. They were the same, yet somehow different. He knew himself to be smaller, though he had no word for it. There was a warmness similar to his own inside this figure’s chest. He looked at the face, where eyes were closed. Could they see like he can see? He moved his hand over to it.

   Pat pat pat.

No change. He tried again, more insistently.

   Pat pat pat!

   Finally… the lids opened to reveal dark depths where only two forms of light peered out. They seemed dazed at first, before focusing on him. Somehow, being noticed strengthened the fuzziness inside. Of its own accord, his mouth stretched further from a grin that was already there, but that, too, had no meaning for him yet.

   “bah!”

shelikespretties:

bellesolo:

say what you want about woobifying villains, but i think tragic backstories and redemption via love are staples for good reason. we want to believe that people are fundamentally good, just hardened by a harsh world. that suffering earns you a happy ending. because then it means something, then pain isn’t just senseless and futile.

people don’t ‘excuse’ the actions of villains because they just don’t take those actions seriously. i think it’s a kind of projection – we forgive them because we want to forgive ourselves, and we look for the good in them because we want to see that in the world, even in people who have wronged and hurt us. because earth is a goddamn terrifying place if other humans really are evil, if they’re really monsters.

and idk, i just think it’s kind of beautiful that we all want to believe that the scariest mass-murdering motherfucker alive can be brought down by something as pure and innocent as love. that love is the answer, not violence. i don’t think that’s cheap or ‘problematic’ or a bad influence. i think it’s human, and profoundly optimistic in a way that few people are brave enough to be.

If I didn’t hold the hope that love could make a difference, my world would be cold and bleak.